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Will Jennings for Wallpaper* on how artist Ian Cheng explores the technological and aesthetic potential of AI.

Feeling inspired by Ian Cheng's animated film 'Life After BOB'? Submit your drawings or paintings to our Fan Art Contest! *** Please note that the submission deadline has been extended until 6 November 2022. ***

You are inspired by your visit to the exhibition and want to actively participate in shaping the 'Life After BOB' universe? Submit your wiki entries to win LAB collectibles! *** Please note that the submission deadline has been extended until 6 November 2022. ***

Familiarise yourself with the world of Ian Cheng's 'Life After BOB' with these glossary terms.

Chris Erik Thomas for Highsnobiety on how Ian Cheng’s AI-infused art will help you tap into the transcendent.

Henry Levinson about 'Life After BOB' in 032c

Our planet is collapsing and humanity is the biggest threat to itself and all earthly species. We are living in the Anthropocene, a geological epoch in which human beings have irreversibly altered Earth. What comes next?

Take a deep dive into the work and lives of our LAS artists with this curated list of English-speaking podcasts from various media outlets and art institutions.

Ian Cheng on building worlds, fairytales and making ‘Life After BOB’. A behind-the-scenes video for The Shed.

Artist talk with Ian Cheng and Hans Ulrich Obrist (Serpentine Galleries, London), Vassilis Oikonomopoulos (Luma Arles) and Amira Gad (LAS, Berlin) at LUMA Westbau about ‘Life After BOB’ and developing artworks as living organisms.

The New York Times discussing Ian Cheng’s latest work ‘Life After BOB’, which was inspired by his newborn daughter.

Kay Watson, head of arts technologies at the Serpentine in London speaks with artist Libby Heaney about quantum computing and her new artwork ‘Ent-’.

A video essay that explores the research and ideas central to Libby Heaney’s artwork ‘Figures in Limbo’ – a partially playable 3D animation.

What is quantum computing, how is it used in art, what are the ethical concerns and what developments are conceivable in the future? ‘A Guide to Quantum Computing for Artists’ by Libby Heaney for The Space.

Gesine Borcherdt, art critic and curator speaks with Prof Dr Tania Singer, neuroscientist, psychologist, meditation expert and Scientific Head, Social Neuroscience Lab of the Max Planck Society.

Gesine Borcherdt, art critic and curator speaks with Dr Richard Davidson, neuroscientist and meditation expert.

Interview with Sharon Eyal & Gai Behar in Vogue about their profession, intuition and a timeless collective longing.

Kristian Vistrup Madsen for ARTFORUM about Sharon Eyal’s ballet of dispossession.

Guest Curator Claude Adjil speaks with choreographer Sharon Eyal about the series of dance performances ‘This Is Not A Love Show’ at Kraftwerk Berlin.

Steph Wade for IGNANT on Robert Irwin’s installation 'Light and Space (Kraftwerk Berlin)', a mammoth work of art exploring human perception.

Harriet Lloyd-Smith for Wallpaper* on Robert Irwin's exhibition 'Light and Space (Kraftwerk Berlin)'.

Accompanying the exhibition, the educational programme developed in collaboration with Ephra is tailored for school children and families.

The audio version of Elvia Wilk's text ‘The Yard’ is published on the occasion of Robert Irwin's exhibition at Kraftwerk Berlin.

Follow artist Jakob Kudsk Steensen and scientist Dr Kim Mortega into the (virtual) swamps of Berlin.

Jakob Kudsk Steensen in Killscreen Magazine on the possibilities of gaming platforms and bringing together virtual world-building with storytelling.

Kate Brown for artnet news about how Jakob Kudsk Steensen transformed Halle am Berghain into a virtual swamp.

Juule Kay for DAZED about how Jakob Kudsk Steensen has created a liquid world that merges Arca’s raw voice with the sounds of amphibians.

LAS partners with the Black Swan DAO initiative as a platform that engages the arts and its community through collaborative practices.

The fully illustrated catalogue marks the first major publication for Kudsk Steensen and brings together his multidimensional practice.

The education programme invites visitors to explore the remaining wetlands of Berlin and Brandenburg.

TF Chan for Wallpaper* about how Jakob Kudsk Steensen uses virtual reality technologies to change our relationship with the natural world.

Xin Wang interviews Jakob Kudsk Steensen for Art Agenda about art in the post-digital era.

The artist talks to Dazed about her new artwork ‘Judy Chicago Rainbow AR’.

The New York Times Style Magazine on the artist’s relevance in the past decades and today.

Artist Refik Anadol is amongst the top ten winners of the ‘Science Breakthroughs of the Year Award’ at Berlin Science Week x Falling Walls 2020.

Interview with LAS’ director in Exberliner magazine about its beginnings, plans and ambitious first show.

Google Arts & Culture on the exhibition ‘Latent Being’, where the artist allows the visitors to submerge themselves into the mind of a machine.

Get some background information about Refik Anadol's work with these glossary terms.

The artist talks about his practice of using cutting-edge deep learning algorithms and his installation ‘Latent Being’ at Kraftwerk, Berlin.